Author name: Mila Angelova

In the video “Forest on Location”, the audience descents into a replica of the last remains of primeval forest Bialowieza (at the outer border of the EU, between Poland and

The video is based on a game usually taught to children in a classroom setting as a community building or drama-warm-up exercise. It involves a simple series of actions like

Qirat is loosely based around an oral family anecdote of a robbery that took place in the lush valley of Fez in northern Morocco during the 1980s. In the film,

Every Sunday, Grand Ma Grandma grows a pair of wings and transforms into a human bird. She steps out of the darkness of a tunnel into a desolate misty landscape.

“Bajo el cielo cayendo (Under the Falling Sky)” constructs a miniature world within a maquette, where staged disasters—human-made accidents and ecological collapse—coexist with fragile scenes of emergent life. Filmed in

What waves and signals run through the hybrid landscapes between agricultural use and fallow land? Who passes through them? Working, traversing, and intervening in the landscape and space meet the

The single-channel documentary fiction film “Nests of Basalt, Nests of Wood” presents a speculative narrative of maritime and epidemiological movement across oceanic space and time. The film is grounded by

“Our Non-Understanding of Everything #09” is part of a larger series that explores how the structures of architecture, semiconductors, and circuits become forms of expression reflecting hierarchies, cognitive processes, and