Author name: Mila Angelova

The seemingly extraterrestrial camera eye floats upside down through a palm grove planted in a strictly rectilinear manner. Nature is literally upside down and existing in an artificial order as […]

Anna Baranowski and Vlad Brăteanu’s collaborative piece invites the audience to experience an intimate hypnotic induction. By making use of the hypnotic methodologies of relaxation – the sound of the

“MIDSENTENCE” examines daily life in a county jail. It lays bare larger truths about incarceration, institutional authority, confinement, shame, innocence, guilt, and power dynamics between those in and out of

Six millennials meet a famous writer at a former workers’ retreat in the alps. Invited for an evening of conversation, tensions rise over political differences, leading to a violent clash

Bored one evening, three friends have fun reflecting on the symbolism of the Jeddah fountain in Saudi Arabia. Built by the king in the 1980s, it is considered the highest

“Disappearance in Three Acts | Act One” is an ethnography of violence reflecting on a history of conflict in Central Mexico. The video piece posits a decolonial approach to the

In the heart of Burundi, rivalries and ethnic extremism have caused thousands of deaths since independence. Amidst the murderous madness we have endured, there have been those who protected life.

On the outskirts of the small town of Gommern, a heath garden has been inviting visitors for a walk since 1996. This was once the site of Ernst Reindel’s rendering

Meg Stuart explores a 1970s modernist building, the Vorklinik, the medical faculty of the University of Graz, since demolished for being deemed dysfunctional. With two dancers, Stuart seeks to inscribe

“Remote Occlusions” draws on excerpts from a camera manual, which details what the manufacturer expects from the camera, while the film presents cases where the camera rejects these intentions and